Women’s culture goes dark: why aren’t there more ‘femcel’ movies?

Few films have explored women's online radicalization despite the portrayal of male incels in cinema. Movies like Kristoffer Borgli’s The Drama and Pascal Plante’s Red Rooms attempt to address this gap, yet remain criticized for their portrayal of race and gender dynamics. The lack of female-centered narratives reflects a broader issue of representation in discussions of extremism.

Summary by Glance · The Guardian Australia